This post may contain affiliate links — at no additional cost to you. As an Amazon Associate I earn from qualifying purchases. Every piece here meets the same standard: timeless, coastal, worth keeping. See our full Disclosure for details.
Phase one of this powder room was about restraint — knowing what to leave alone. This phase is about the one thing I couldn’t leave alone: the window.
It’s a small window in a small room, the kind most people either ignore or overcomplicate. And the decision was less obvious than it looks. A powder-room window wants privacy and light at the same time, which is a contradiction most window treatments solve by picking a side. Shades give you privacy and take the light. Shutters give you both and take the air, and a certain softness with it. I went back and forth on it longer than a window this size probably deserves.
Why Cafe Curtains
In the end it came down to what the room already had. The walls are Benjamin Moore Thousand Oceans — deep, a little moody — over a patterned encaustic-tile floor (blue, taupe, and white), with a brass bridge faucet doing most of the talking. All of it is hard-edged and saturated. What the window needed wasn’t another statement. It needed the one soft thing.
A cafe curtain — hung partway up, covering just the lower half of the glass — does exactly that. It keeps the bottom pane private and leaves the top open to the light, so the room never goes dim. The fabric moves a little when the window’s open. It gives a small, hard room a soft edge a shade or shutter can’t. For a powder room, where you want the light and the privacy both, it’s the one treatment that refuses to pick a side.
The Fabric
The curtains themselves are ready-made — a soft, light-filtering linen blend in beige white. But I didn’t trust the color on a screen. A neutral reads differently in a room than it does online — a beige can go cold or yellow against a wall as deep as Thousand Oceans. So I ordered the matching fabric sample booklet first — all of four dollars — and held the real swatch against the wall, in the actual light of the room, at the time of day I’m in it. The beige-white held: warm and soft against the moody walls without disappearing into them.
If you take one thing from this: order the swatch booklet. Four dollars is nothing next to hanging a curtain you talked yourself into on a screen and don’t love in the room.
The Hardware
The mechanics get less credit than they deserve. A cafe curtain lives or dies on the rod sitting straight and the rings moving easily. I used an adjustable cafe-curtain rod set that comes with the rod, both inside- and outside-mount brackets, and twelve rings — so there was nothing else to source. The finish is a warm gold that reads as brass in the room — deliberate, so it picks up the faucet and the window feels part of the same palette rather than something bolted on after.
The Result
Hung, it does what I wanted and not much more — which is the point. The bottom half of the window is private, the top half is bright, the linen softens the tile and the brass, and the rod reads as brass beside the faucet. It’s the smallest change in the room and the one that finally settled it.
Phase one was about what to leave alone. Phase two turned out to be about the one place a soft edge was worth adding.
Sources
TWOPAGES Liz linen fabric sample booklet — via Amazon
TWOPAGES Liz cafe curtains, beige white — via Amazon
TWOPAGES adjustable cafe-curtain rod set (gold, with rings) — via Amazon
Benjamin Moore Thousand Oceans (1645) — wall
Benjamin Moore Pale Oak (OC-20) — trim
patterned ceramic floor tile — similar at Wayfair
